Air & Hammers is a duo comprising acclaimed British-American baritone Edmund Connolly and Canadian-American concert organist and pianist Maxine Thévenot.
Air & Hammers performs a variety of song repertoire, including new music by recognized and emerging composers. The duo has given world and regional premieres of new works by Gerda Blok Wilson, Florence Price, Healey Willan, Andrew Ager, and Frederick Frahm.
Their commercial recording, Desire in Spring, of which The American Record Guide remarked, ‘This winsome and enjoyable survey of songs is well-performed and recorded.’ is available from www.RavenCD.com.
These two distinguished artists have performed duo concerts in Arizona, Colorado, Georgia, Maryland, Nevada, New Hampshire, and New Mexico. Internationally, they have performed at St. James Episcopal Church in Florence, Italy, St. Martin’s Church, Bladon, UK (burial place of Sir Winston Churchill), and Rosslyn Hill Chapel, Hampstead, London.
Air & Hammers performs a variety of song repertoire, including new music by recognized and emerging composers. The duo has given world and regional premieres of new works by Gerda Blok Wilson, Florence Price, Healey Willan, Andrew Ager, and Frederick Frahm.
Their commercial recording, Desire in Spring, of which The American Record Guide remarked, ‘This winsome and enjoyable survey of songs is well-performed and recorded.’ is available from www.RavenCD.com.
These two distinguished artists have performed duo concerts in Arizona, Colorado, Georgia, Maryland, Nevada, New Hampshire, and New Mexico. Internationally, they have performed at St. James Episcopal Church in Florence, Italy, St. Martin’s Church, Bladon, UK (burial place of Sir Winston Churchill), and Rosslyn Hill Chapel, Hampstead, London.
photo: ThinkHarris Photography
Edmund Connolly, baritone
A native of London, UK, Edmund Connolly studied Music at Robinson College, Cambridge, where he was Organ Scholar. He undertook postgraduate study at the Guildhall School of Music and Drama in the City of London where he studied singing under Professor David Pollard. A year after graduating with his Master of Music degree, Edmund was appointed a Professor of Music Studies at the GSMD, a position he held from 2004-2011.
Over recent years Edmund Connolly has forged a career as an opera and concert singer, organist, piano accompanist and conductor, as well as developing a reputation as a private teacher and vocal coach to young professional singers. His students have included young singers preparing roles for companies such as Glyndebourne Festival Opera, English National Opera and the Royal Opera House, Covent Garden, as well as advanced students from the Guildhall School, the Royal Academy of Music and the Trinity Laban Conservatoire.
A lyric baritone, Edmund has sung major operatic roles in the UK and abroad. He has sung and understudied roles for companies including Glyndebourne Festival Opera, English Touring Opera and Garsington Opera, and his reputation as an intelligent, adaptable singer means he is in demand in music of all periods. He has also sung most major oratorio repertoire as a soloist in the UK. In the US, he has appeared as baritone soloist with the New Mexico Philharmonic in performances of Beethoven's Symphony no. 9, Bach's St. John Passion and Brahms' Ein Deutsches Requiem; with Polyphony: Voices of New Mexico's performances of Henry Mollicone's Mass for the Homeless and Handel's Messiah; and in Fauré's Requiem, performed by the Cathedral Choirs of the Cathedral of St. John under Maxine Thévenot.
Edmund Connolly is currently Assistant Organist-Choir Director at the Episcopal Cathedral of St. John, Albuquerque, and a member the Performing Arts Faculty at Albuquerque Academy.
A native of London, UK, Edmund Connolly studied Music at Robinson College, Cambridge, where he was Organ Scholar. He undertook postgraduate study at the Guildhall School of Music and Drama in the City of London where he studied singing under Professor David Pollard. A year after graduating with his Master of Music degree, Edmund was appointed a Professor of Music Studies at the GSMD, a position he held from 2004-2011.
Over recent years Edmund Connolly has forged a career as an opera and concert singer, organist, piano accompanist and conductor, as well as developing a reputation as a private teacher and vocal coach to young professional singers. His students have included young singers preparing roles for companies such as Glyndebourne Festival Opera, English National Opera and the Royal Opera House, Covent Garden, as well as advanced students from the Guildhall School, the Royal Academy of Music and the Trinity Laban Conservatoire.
A lyric baritone, Edmund has sung major operatic roles in the UK and abroad. He has sung and understudied roles for companies including Glyndebourne Festival Opera, English Touring Opera and Garsington Opera, and his reputation as an intelligent, adaptable singer means he is in demand in music of all periods. He has also sung most major oratorio repertoire as a soloist in the UK. In the US, he has appeared as baritone soloist with the New Mexico Philharmonic in performances of Beethoven's Symphony no. 9, Bach's St. John Passion and Brahms' Ein Deutsches Requiem; with Polyphony: Voices of New Mexico's performances of Henry Mollicone's Mass for the Homeless and Handel's Messiah; and in Fauré's Requiem, performed by the Cathedral Choirs of the Cathedral of St. John under Maxine Thévenot.
Edmund Connolly is currently Assistant Organist-Choir Director at the Episcopal Cathedral of St. John, Albuquerque, and a member the Performing Arts Faculty at Albuquerque Academy.
photo: Brooke Bailey Portraits
Maxine Thévenot, pianist/organist
Saskatchewan-born organist, pianist and choral conductor Maxine Thévenot enjoys a distinguished international career and has performed throughout Europe, Great Britain, and North America at prestigious churches, concert halls and festivals. Maxine holds degrees from the University of Saskatchewan and Manhattan School of Music, New York, where she was admitted to the degree Doctor of Musical Arts in Organ Performance. She is an Associate of the Royal Canadian College of Organists and the Royal Conservatory of Music and was made an Honorary Fellow of the National College of Music, London, UK for her 'services to music' in 2006.
Much in demand as a recitalist, Maxine Thévenot has been described by the AGO as performing “with passion and brilliance”, and “...the music thrives with Thévenot's superb playing and her masterful manipulation of the instrument's myriad tonal colors”.
For more information on this artist’s recordings and future performances please visit www.maxinethevenot.com
Saskatchewan-born organist, pianist and choral conductor Maxine Thévenot enjoys a distinguished international career and has performed throughout Europe, Great Britain, and North America at prestigious churches, concert halls and festivals. Maxine holds degrees from the University of Saskatchewan and Manhattan School of Music, New York, where she was admitted to the degree Doctor of Musical Arts in Organ Performance. She is an Associate of the Royal Canadian College of Organists and the Royal Conservatory of Music and was made an Honorary Fellow of the National College of Music, London, UK for her 'services to music' in 2006.
Much in demand as a recitalist, Maxine Thévenot has been described by the AGO as performing “with passion and brilliance”, and “...the music thrives with Thévenot's superb playing and her masterful manipulation of the instrument's myriad tonal colors”.
For more information on this artist’s recordings and future performances please visit www.maxinethevenot.com